Note Chase option: when enabled (Dashboard> Behavior> Resume Playback), starting the transport in the middle of a note will sound the note (if the note duration is longer than an eighth note) Interactive Help is now available for all 93 devices, 33 modulators, and 160 Grid modulesĬue / Preview Cue Level control now exists in the Studio I / O Panel (and can be mapped via context menu)Ĭue / Preview Cue Mix control now exists in the Studio I / O Panel (and can be mapped via context menu), setting the balance between the cue and master outputs Slice In Place function: will slice any selected clip (s) / event (s) at the detected audio Onsets, the set Beat Markers, or at a set beat grid interval Quick Slice action: slicing snaps its initial cut position to the beat grid, but adding allows an off-grid starting position Quick Slice action: holding with the Knife tool will cut any clip / event at the beat grid interval, for as far as you drag the mouse Quick Draw action: drawing defaults to a single pitch for each note (think hi-hats), but adding allows various pitches to be drawn (like a step sequencer) Quick Draw action: holding with the Pen tool will draw multiple notes at the current beat grid interval Original performance-minded tunings, which reshape the keyboard and coax new and unexpected outcomes from even experienced players (such as Beating Lydian, Phrygische Mütze, and Constant Portamento, which glides every note from a defined root)Īll of these presets are tagged with scale and tuningįor frequency parameters (like filter frequency or EQ band), the window footer now shows frequency + pitch Historic temperaments, including scales from Pythagoras, Werckmeister, Broadwood, Euler, and moreĬultural tunings, including a number of traditional Chinese instruments (such as Ti-tsu 7 (flute), Yang-chin 7 (dulcimer), and Yün-lo 7 (gong-chime)), as well as the Javanese Chromatic 7, which is the source for various modes (like pelog, dangsoe, bem, barang, etc.)Īrtist-made tunings, either as concepts (Ives’s Stretched Major, Wendy Carlos Optimized, and Johnston that blends the overtone and undertone series) and scales used for particular works (Partch from Harry Partch’s “Two Studies on Ancient Greek Scales”, and Blues – Harmonic, used in Ben Johnston’s “Suite for Microtonal Piano”, Wendy Carlos’s “Beauty in the Beast”, etc.) Theory-based tunings, using the overtone (Otonal) and undertone (Utonal) series, Quarter-tone ET, and even A4 = 432 Hz New Grid module: Pitch → Ø (Phase category), wraps pitch signal’s octave as phase signalģ0+ tuning presets included, of various origins: New Grid module: Transpose (Pitch category), for creating chords with or without signal input (with Stereo-ness options) New modulator: Pitch-12, providing a modulator source for each pitch class (C, D, etc.) when played New device: Micro-pitch, a note effect allowing micro- and macro-tuning of each note type, octave interval, and Scala (SCL) file import (for scales of seven or 12 notes)
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